Thriller-Genie
music
I love this track.
I don’t know anything about it.
The write-up that came with it on sounds of the universe was super vague and all google has given me is that it’s the offshoot of a more well known label and features the work of one of the key artists on the wonky/dubstep/bass scene. I don’t know who that might be, but who cares really, all that matters in the end is the heaviness of that bass drop and the amazingly creative use of a big chunk of the BB & Q Band track “Genie’.
It’s all about what it’s always been all about-taking something old and making it new again.
And this sounds fresher than a Tron gelato.
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THIRD FLOOR CLASSICS
music_scifi_third floor classics
Out in Hong Kong at the moment, a city that never fails to inspire me — particularly if your turned on by neon lit streets and an ever present vertical backdrop of futuristic skyscrapers. The whole experience was heightened last night with a typhoon induced downpour that made the seedy streets of Kowloon feel very much like the source material for Syd Mead’s Blade Runner concept art.
It makes me want to listen to music like Patrick Pulsinger’s ‘Citylights Part 2′. A track that came out in ’94 but still feels relevant 15 years later, sounding as heavy on Quaid’s ‘Hand Raised by Robots’ mixtape as it did back in the day on the Third Floor, a sure sign of quality. Like his other big tune of the era ‘Claire’ there’s a strong Detroit influence at work here, easing his methodical production style along with the right amount of soulfulness.
Incidentally there’s a new Quaid mixtape ‘Metropolis’ on the way, but in the meantime feel this.
Patrick Pulsinger — Citylights Part 2
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